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History and Architecture

A Brief History of St. Bart's

Founded in January 1835, initially in the then-fashionable Bowery section of Manhattan, St. Bartholomew’s began its life as part of the Evangelical movement in the Episcopal Church. Worship services were held in a plain church at the corner of Great Jones Street and Lafayette Place.  At first growth was slow, but by 1872 St. Bartholomew’s was large and prosperous enough to build a splendid new church at Madison Avenue and 44th Street. Designed by James Renwick, the architect of St. Patrick’s Cathedral, the building was later embellished with a triple portal by Stanford White.

It was from the Madison Avenue pulpit that The Rector David H. Greer in 1888, inspired the parish to become a major force for social welfare in the city. During the enormous immigration of the late 19th century, St. Bart’s huge parish house on 42nd Street (built with the support of the Vanderbilt family), ministered to large numbers of the new arrivals, who lived in appalling poverty in the tenements of the East ’40s and ’50s.

St. Bartholomew’s also became a force in the musical life of the city and the wider church. Under the leadership of organist Richard Henry Warren, a full choir of men and women became famous. Leopold Stokowski, who went on to a career as one of the world’s greatest conductors, was brought from Europe by St. Bartholomew’s to direct its choir.

Over time, serious structural problems developed in the Madison Avenue building, so the parish commissioned Bertram Goodhue to design a new church on Park Avenue between 50th and 51st streets, St. Bart's current home. In 1918, the parish moved into the new building, which was built in the Romanesque style and provided a harmonious setting for the Stanford White portal which had been brought from the old building. As funds and materials were available, the interior was decorated in the Byzantine style with major mosaics in the narthex and over the high altar.

In the 1920s, as the neighborhood changed, immigration slowed and tenements gave way to apartment houses and offices, and the Parish House and clinic on 42nd Street were closed. The Community House, adjoining the church at 50th Street, was built during Rector Robert Norwood’s tenure (1925–32). A poet and prophet, Norwood was a dynamic preacher who brought large crowds to the church week after week and ministered to the growing number of young professionals flocking to the city.

Well into the 1960s, St. Bart’s was one of the three or four largest congregations in the Episcopal Church. As its immediate neighborhood changed from primarily residential to corporate and commercial, the parish ministry increasingly reached out to the community and non-members. The music ministry included more public concerts, and St. Bartholomew’s took the lead in midtown in beginning a substantial ministry to the poor. 

In 1981, a real estate developer offered a plan to build an office tower on the site of the adjacent community house, ensuring a financial endowment of the church's mission and maintenance. Conflict developed within the parish and between the church and the city over the designated landmark status of the building. In the ensuing years of battle, St. Bart’s became synonymous with the very real issues between the religious community and the historic preservation movement, and with the attendant constitutional questions. The case tortuously worked its way, over eleven years, to the Supreme Court, which in 1991 declined to hear St. Bartholomew’s appeal of the Second Circuit decision. The congregation paid a heavy price for the battle. Half the membership left, and charity and relationships were strained. The existing financial problems deepened. Maintenance on the building was deferred.

In the calling of a new rector in 1994, church leadership made a commitment to growing St. Bartholomew’s as a congregation, as well as restoring and preserving its landmark building. As a result, attendance and membership increased. Today, the independent St. Bartholomew’s Conservancy works full time to both preserve and restore our historic space.

In 2016, under the rector at the time, the Right Reverend Dean E. Wolfe, St. Bartholomew’s was designated a National Historic Landmark and continues to enjoy a good working relationship with St. Bartholomew's Conservancy.

Recent and Ongoing Restoration

Visit St. Bartholomew's Conservancy to learn more about the restoration of our National Historic Landmark buildings. 

Dome Restoration completed 2017

Community House restoration completed 2020

North facade restoration currently underway

Air Rights (TDRs) FAQs

Introduction


In the spring of 2023, St. Bart’s entered into an agreement related to a proposed construction project at 350 Park Avenue. That agreement could result in the sale of “Transferable Development Rights” (often referred to as “Air Rights”) currently held by the parish. The New York City Council approved the proposed construction project in September 2025.

The sale has not yet been completed, but questions have understandably arisen. The below material aims to address the questions that have been raised most frequently.

FAQ #1: What are “Air Rights” or “TDRs”?

Answer: “Air Rights”, officially termed “Development Rights”, represent the unused development potential of a property. For a landmarked property, such as St. Bart’s, this unique system allows us to capitalize on the sale of the vertical space above our church. When transferred to another zoning entity, they are called “Transferable Development Rights” or “TDRs”.

FAQ #2: Is it true that St. Bart’s is getting $150M in “Air Rights” money?

Answer: No, this is a common misconception. While St. Bart’s will be receiving some monies from the sale of “Air Rights”, it is nowhere near $150M.

FAQ #3: How much money is St. Bart’s getting from the “Air Rights” sale?

Answer: The “Air Rights” sale is valued at $150M, with both St. Patrick’s and St. Bart’s involved in the sale. The financial breakdown is as follows:
St. Patrick’s is receiving ~$97M, and St. Bart’s is receiving ~$53M.

FAQ #4: Is the money received unrestricted? Can St. Bart’s use it however they see fit?

Answer: No, the funds received have several restrictions associated with them, foremost of which is the breakdown and required allocations of the funds received.
For St. Bart’s, the following breakdown and allocations apply.

  • 10% of funds go to the Episcopal Diocese of New York.
  • 75% of funds are restricted by the Landmarks Preservation Commission for restoration and preservation of the building.
  • 15% of funds go to legal fees, transfer taxes, and other transaction costs. Remaining funds, if any, may be used at the discretion of the Vestry.

FAQ #5: Have we received all of the “Air Rights” money yet?

Answer: No, we don’t have the money yet, and we may not receive final payment until 2027.

FAQ #6: How will St. Bart’s use the restricted 75% “Air Rights” funding?

Answer: St Bart’s currently has two major Capital Projects underway/planned. Capital Project #1 “East Façade Renovation”, is currently underway and involves major repairs and restoration to the Church’s East Façade, including the installation of a brand new state-of-the-art HVAC System. Capital Project #2 “Community House Roof” is currently in the planning stages, and other Capital Projects are also being explored for the future.

FAQ #7: Does the Saint Bartholomew’s Conservancy receive any “Air Rights” funding?

Answer: No. The Saint Bartholomew’s Conservancy is a separate, independent 501c3 from St. Bart’s. We are grateful for the help they have given us over the years, notably by helping to fund restoring and illuminating the Great Dome, and fully support their current focus on expertly conserving the Stanford White Triple Portal, the church building's main entrance, which, for far too long, has been a sculptural masterpiece hiding in plain sight.